Jansen Ensemble - symphony hall, 18/10/2005
- 2005-10-18, 22:59:28
the three baroque concertos (or concerti, if you really are an italian) from tuesday evening's concert all stem from the body of music which treads the line between chamber music & orchestral music; indeed, prior to the rise of the so-called 'authentic performance' movement would often have been performed as orchestral works.
the jansen ensemble, led by violinist janine jansen, whilst not quite performing in the totally authentic camp were certainly well in the spirit of it - a single player per part, & the musicians all (where feasible) standing to play rather than taking it easy on the award-winning symphony hall chairs.
opinion is still divided as to whether there is a right or wrong way to perform baroque music, but for myself i certainly prefer to hear it cut back to the minimum, in order that the baroque twiddly bits (which are, after all, the point of the genre !) can be heard, & you still get a 'big' sound. performing this way also assists in holding to the original baroque idea of a concerto which was more of a piece having a featured instrument(s) but with the rest of the ensemble being just as important, rather than the later concept of a definite soloist with mere accompaniment from the orchestra.
in the first half of the concert we heard two bach concertos - the concerto in d minor (bwv 1052)& the concerto no. 2 in e major (bwv 1042).
to my mind, bach is, well, bach really; music students mimic bach [...]
Read the rest of Jansen Ensemble - symphony hall, 18/10/2005.In group Birmingham
the australian pink floyd - symphony hall, 02/10/2003
- 2003-10-02, 01:21:03
Just before the show started my colleague recounted an anecdote from an old Pink Floyd interview – “The time will come one day with technology when we’ll be able to just set the equipment up, press a button, & go. In fact the time will come when we’ll be able to send another four people out to do the gig instead of us!”. I don’t think when they said that they envisaged the modern day popularity of tribute bands...
I’m not sure I really ‘get’ tribute bands; OK, we’ve all been there, from sitting in the music shop with the guitar we can’t afford to buy playing the opening bars of ‘Stairway to Heaven’ (or ‘Purple Haze’ if you’re of a different bent), through to your first few bands from school and college playing mostly other peoples’ songs. But when you’ve developed your ability a bit, you start exploring your creative talents into your own material. So if you have the talent to play another band’s songs so well, why not play your own?
But on to the gig; the first thing I noticed was that the Aussie Floyd seem to have a bit of a following of their own, with plenty of people walking around with t-shirts sporting pink kangaroos & beams of light refracting through a glass map of Australia. There were a few seats left inside Symphony Hall empty, but it was as near to full as makes no odds which made for a good [...]
Read the rest of the australian pink floyd - symphony hall, 02/10/2003.In group Birmingham
grand union orchestra - the call of paradise - symphony hall, 11/11/2002
- 2002-11-11, 00:48:13
n a nutshell, far too many people missed what was definitely one of the best jazz-world concerts the city has seen for a good few years.
since those first experiments in the 60s, a number of people have worked on the fusion of different musical cultures in the small band setting, mostly with some success even if often a little derivative. the grand union orchestra have succeeded in doing so as a big band with a flair which in a just world would earn them at least a page in any half-decent history book on the development of contemporary music !
the work they are currently touring is 'the call of paradise' (by leader tony haynes), taking much of its vocal texts from various diverse religious sources. it describes itself as 'a kind of musical journey - but through emotions rather than a literal one', & as well as showing us how religion is linked to much of the world history's misery & violence also reminds us of its inspiration of so much beauty, using texts which speak of love & devotion as well as of warfare & hate - opening with a passage from the old testament's 'song of solomon' (or 'song of songs'); if you thought the bible had a bit of a downer on love & sex, think again & go & read that passage !
the music well knew when to do the 'fusion bit', & also when not to - the big [...]
Read the rest of grand union orchestra - the call of paradise - symphony hall, 11/11/2002.In group Birmingham